It's also the one that's broken the most. The 5-7-5 structure is definitely the most well known characteristic of haiku. There are three basic rules for writing haiku:Įach has its own important place in the anatomy of haiku. Let's begin by looking at the first feature: rules. It's a big topic, with a gargantuan history, so there's plenty of room to debate. These are just my personal haiku definitions, so it's very likely you'll come across different distinctions and opinions on what makes or breaks haiku. It's how you know who's a pro and who's a haiku scrub. Qualities are what separate a "good" haiku from a "bad" haiku. But as with all forms of art, these rules can be bent and sometimes broken for artistic effect. Rules are what a poem needs to be considered a haiku. Let's make it easier by breaking the actual features of haiku into two groups: The definition of a haiku in English is usually something similar to this: a poem that has three lines with a 5-7-5 syllable pattern.īut there's much more than that, especially in the syllable department. Prerequisite: This article is going to use hiragana, one of Japan's two phonetic alphabets, so if you don't know it yet, or just need a review, take a look at our hiragana guide! Let's start with a simple definition of what exactly a haiku is and go from there. While Bashō wasn't the first to write haiku, this poem became the model that all haiku would be compared against and defined the form as we know it today.īut a haiku is more than just a poem that follows the skeleton of Old Pond. This was a haiku 俳句 ( はいく ), a short Japanese poem that presents the world objectively and contrasts two different images. Matsuo Bashō 俳句(はいく) 17 mora poem, usually in 3 lines of 5, 7, and 5 morae In the spring of 1686, Matsuo Bashō wrote one of the world's best known poems:
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